Half knowledge about palmistry is dangerous

Introduction

The practice of palmistry is an art. The same line or sign on two different hands means two different things. More importantly, no sign on the hand or line on the palm can be important enough to tell you about the person’s character or future. Handprints and palmprints must be read in combination. It also takes a lot of practice to really assess each sign and see if a heavy hand is really tough or if a thumb is longer than average. Jumping to conclusions can give an incorrect reading.

The frame is important

The most important thing is the shape of the hand and its texture, and consistency. Texture and consistency are two different things and only practice can make one recognize a soft hand from a flabby one. So one has to know if a hand is long or short, narrow or wide and also the size of the hand (compared to the size of the person). The relative length and position of the fingers and thumb are also very important and will all give a different reading, even if the lines look Similary.

evaluating the hand

Since the fingers look different from different angles and their position also depends on how the person holds their hand (whether in the natural position), one must be very careful that the conclusion is correct. In addition, there is the question of the position of a finger (whether set low or high) and this can confuse the palmist as to the actual length of the finger.

Then there are important questions like: if a finger is short but long, do the qualities of the fingers apply? Well, for this one has to resort to the general shape of the hand and the position of the other fingers. And yes, lines and frames can also help you make that decision.

Sometimes different signs will give conflicting readings and one has to see how much of a particular quality a person has. For example, if you are aggressive, how aggressive are you on a scale of 1 to 10? So it is a matter of judgment on the palmist’s part as to what he takes into account all the signs.

Sounds complicated? This! Unfortunately, amateurs tend to jump to conclusions by looking at a sign and not taking into account the type of hand. This has given palmistry a bad name.

Mounts should be read in conjunction with the type of hand.

The relative strength of the mounts must be taken into account at all times, not just the strength of each individual mount. And this must be read with the strength of the fingers.

It is necessary to examine very carefully which part of the mountain is developed, the upper, the middle or the lower. Each one gives a different reading. Locating the vertex of each mountain is of great help to know the strength of each mountain, and also to know if it is the lower or the upper side that develops. If a vertex leans toward another finger, it reduces the strength of the mount.

Once one has read the type of hand and mounts, the decision must be made as to which world the subject moves in. The superior or mental world, the middle or material world or the animal world. Few people will be pure specimens, and therefore you have to apply the qualities in a moderate and balanced way, seeing which mounts have the upper side developed and which mounts have the lower side developed.

Then you can start reading the lines.

reading lines

To read lines one has to apply the same principles. Relative strength is the first thing one looks at in a palm print. For example, a thin, faint headline on a flat, pale hand with other similar lines will have a completely different meaning than a thin headline on a line with other deeply etched lines. Or a fine line on a fleshy hand with other fine lines. The readings will be completely different, not even close! Just as a highly developed saddle on a flat hand has extraordinary significance when comparing a highly developed saddle on a hand with other highly developed saddles. You will be surprised to see the variations in different hands. Because no two people are the same.

While it is easy to distinguish major lines, be careful not to confuse minor or random lines with major lines.

Reading the lines on your palm can give you a clue about future trends, but remember that the lines tend to change faster, much faster than the hand itself. The reason is that a person’s future changes according to how he reacts to events, and also circumstances, which can continue to change. Yes, even the shape of fingers and mounts change, if a person can change a particular trait. This will have an immediate impact on the lanes, for better or worse.

Incorrect assumptions about palmistry

I recently came across a question on Yahoo Answers where a person had asked if palmistry has any authenticity. The chosen “best answer” was an answer that said that palmistry has little credibility because lifespan and lifeline have been shown to have no relationship at all. But of course, the length of life is not determined by the length of the life line! A mistake on the part of hobbyists (who often acquire this knowledge by half-reading a book) is to assume that a long Lifeline means a long life or that a short Lifeline means a short life. Could not be farther from the truth.

conclusion

Be careful not to fall into the trap of believing that palmistry can predict the future with certainty. Your character is your destiny and authentic palmistry takes this into account. Another trap one can fall into is believing that you can master palmistry in a few months. This is impossible as one has to look at hundreds of hands just to be able to distinguish what is what, let alone begin to make an accurate analysis.

And as in all professions, in palmistry also half knowledge is the most dangerous of all. It is the half knowledge of many aspiring palmists that has reduced the credibility of palm reading. That’s a shame because palm reading can be used in human resource departments in companies, and wherever it’s important to assess people. And it can also be used for self-help. Self-knowledge is power. Then you have the power to change your life.